The Return of Tomahawk: A Supergroup’s Resurgence and What It Means for Music
There’s something electric about a supergroup reuniting after a decade-long hiatus. Tomahawk, the alternative metal collective featuring members of Faith No More, The Jesus Lizard, and Battles, recently broke their silence with a live show in Nashville—their first since 2013. Personally, I think this comeback is more than just a nostalgia trip. It’s a reminder of what happens when musical titans collide, and it raises a deeper question: Can a band that’s been dormant for so long still resonate in today’s music landscape?
A Setlist That Defies Expectations
Tomahawk’s 18-song set at the Brooklyn Bowl wasn’t just a greatest hits parade. What makes this particularly fascinating is their decision to debut several tracks live, including “SHHH!,” “Predators and Scavengers,” and “Doomsday Fatigue.” In my opinion, this isn’t just a flex of their creative muscle—it’s a statement. They’re not here to coast on past glory; they’re evolving. One thing that immediately stands out is how these new songs fit seamlessly alongside classics like “Capt. Midnight” and “Rape This Day.” What this really suggests is that Tomahawk’s sound, while distinct, has always been about pushing boundaries, not sticking to a formula.
The Supergroup Paradox
Supergroups are a curious phenomenon. On paper, they’re a dream come true—a fusion of iconic talents. But what many people don’t realize is that these collaborations often struggle to find a unique identity. Tomahawk, however, has always been an exception. Their ability to blend experimental metal, punk, and even country influences is unparalleled. From my perspective, their return isn’t just about the music; it’s about reclaiming a space in a genre that’s evolved dramatically since their heyday.
The Tour: A Huge Waste of Time and Money?
The tour’s tongue-in-cheek title, ‘A Huge Waste Of Your Time And Money Tour,’ is classic Tomahawk—sarcastic, self-aware, and slightly provocative. But if you take a step back and think about it, it’s also a commentary on the state of live music today. With ticket prices soaring and fan expectations higher than ever, bands are under pressure to deliver. Tomahawk’s approach? Lean into the absurdity. Personally, I think this tour is anything but a waste. It’s a celebration of their 25th anniversary, complete with a limited-edition pressing of their self-titled debut album. A detail that I find especially interesting is how they’re using this tour to reconnect with fans in an era dominated by streaming and digital releases.
Broader Implications: The Resurgence of Experimental Rock
Tomahawk’s return isn’t happening in a vacuum. It’s part of a larger trend of experimental and alternative rock bands reclaiming the spotlight. From The Mars Volta’s reunion to the continued relevance of bands like Tool, there’s a hunger for music that challenges conventions. In my opinion, this resurgence isn’t just about nostalgia—it’s a reaction to the homogenization of modern music. Tomahawk’s willingness to experiment, even after all these years, is a testament to the enduring power of creativity.
Final Thoughts: Why Tomahawk Still Matters
As I reflect on their Nashville show and the tour ahead, one thing is clear: Tomahawk isn’t just a band; they’re a statement. Their return is a reminder that music doesn’t have to conform to trends to be impactful. Personally, I think their comeback is a call to arms for artists and fans alike—a reminder to embrace the weird, the experimental, and the unapologetically bold. What this really suggests is that in a world of safe, formulaic music, there’s still room for bands that dare to be different. And for that, I’m grateful.
